Brahms herbert von karajan berlin philharmonic brahms symphony no 4


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In 1853, Brahms met Schumann, whose music he had at first dismissed during a short-lived infatuation with the school of Liszt, and then enthusiastically studied. Schumann, for his part, raved over the compositions Brahms had shown him and published an influential article ("Neue Bahnen," "New Paths") which praised the young man as having "sprung, like Minerva, fully-armed from the head of the son of Cronus." Schumann had put his finger on a major quality of Brahms' music: its ability to convince you of its artistic completeness and abundance and its apparently easy seamlessness and inexorable flow. Brahms became attached to the Schumann family, especially, after Schumann's insanity and death, to Schumann's wife Clara and daughter Julie. Brahms took care of the household so Clara could earn money as a touring pianist. For many years, romantic rumors circulated about Brahms and Clara, but Clara seems never to have regarded Brahms as anything more than a devoted son. For his part, Brahms, although capable of temporary infatuations, deliberately kept himself away from marriage, for he believed in the incompatibility between an artistic career and a family. Nevertheless, Clara remained, notwithstanding occasional tiffs, perhaps Brahms' closest musical advisor and confidante, up to her death in 1896.


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